March 15, 2025
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Category : Review
Review
‘Lángbòdó’: My experience as a student actor in an epic performance
anote
January 26
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A weekend treat with Kema Chikwe, Tafawa Balewa in Abuja
anote
January 24
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When the gods contest for supremacy in Wale Talabi’s ‘Shigidi and the Brass Head of Obalufon’
anote
January 17
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A learning curve in children, young adult writing in a faraway place
anote
January 14
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Jonah Okpabi’s ‘A Conquered People’ is layered storytelling of pains, resilience of the Niger Delta
anote
January 14
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An evening of critical reflections with Udenta O. Udenta
anote
January 13
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Echo Oyerigha Toikumoh in the eyes of musical history
anote
January 11
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‘Girls and the Silhouette of Form’: Of girlhood, womanhood and dystopia
anote
January 10
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I remain steadfast in my mission to deliver a PMAN that is enviable across the world
anote
January 5
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‘Dear Kaffy’: Perfect performance anchor for New Year romance resolution
anote
January 5
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Agbaja-Plateau Writers’ Residency to foster creativity and culture
* Operation commences mid-year 2025 By Godwin Okondo THE former President of…
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: Agbaja-Plateau Writers’ Residency to foster creativity and culture
Abraham Uyovbisere: The master who painted life into art
By Mudiare Onobrakpeya ABRAHAM Uyovbisere was a man who knew how to…
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: Abraham Uyovbisere: The master who painted life into art
The National Theatre and the cultural strangulation of Nigeria’s creative sector
By Makinde Adeniran THE National Theatre of Nigeria, an iconic edifice and…
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: The National Theatre and the cultural strangulation of Nigeria’s creative sector
When Walnut Book Club celebrated International Mother Language Day 2025 at Didi Museum
By Godwin Okondo A sizeable number of school children, accompanied by their…
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: When Walnut Book Club celebrated International Mother Language Day 2025 at Didi Museum
Lenten reflection… ‘Jesus falls under the weight of the cross’
by Mudiare Onobrakpeya AMONG Bruce Onobrakpeya’s ‘Stations of the Cross’ ‘Jesus Falls…
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: Lenten reflection… ‘Jesus falls under the weight of the cross’
Obioji’s ‘Mother, Did You Call My name?’ as testament to female self-awareness, affirmation
By Anote Ajeluorou AMAKA Felly Obioji makes her poetic manifesto in these…
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: Obioji’s ‘Mother, Did You Call My name?’ as testament to female self-awareness, affirmation
‘The Man Died’ in double outing in Atlanta, Jo’Burg on Saturday, March 15
By Editor IN continuation of its whirlwind sweep across global festival circles,…
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: ‘The Man Died’ in double outing in Atlanta, Jo’Burg on Saturday, March 15
Exploring stages in the journey of life in Okeke’s ‘What Next’?
By Deborah Chinonyerem Uzoma WHAT Next? (Winepress Publishing, Ibadan; 2024) by Dr.…
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: Exploring stages in the journey of life in Okeke’s ‘What Next’?
‘Beneath the Lion’s Gaze’: Maaza Mengiste’s portrait of Ethiopia
By Umar Osabo IN the world of contemporary literature, few novels manage…
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: ‘Beneath the Lion’s Gaze’: Maaza Mengiste’s portrait of Ethiopia
Park’s ‘Underdog’ to showcase at Iphulo Drama Festival in South Africa March 14
By Editor THE internationally acclaimed production of Topdog/Underdog, written by Pulitzer Prize-winning…
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: Park’s ‘Underdog’ to showcase at Iphulo Drama Festival in South Africa March 14
First print-run of Nigerian edition of Adichie’s ‘Dream Count’ sold out days after release
By Editor NARRATIVE Landscape Press has announced with excitement that the first…
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: First print-run of Nigerian edition of Adichie’s ‘Dream Count’ sold out days after release
Gov. Sheriff Oborevwori unveils Asaba as UNESCO Creative City
By Godwin Okondo THE Governor of Delta State, Rt. Hon. Sheriff Oborevwori…
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: Gov. Sheriff Oborevwori unveils Asaba as UNESCO Creative City
Mabel Segun and the evolution of African children’s literature
By Lookman Sanusi IN Africa, children’s literature is found in the oral…
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: Mabel Segun and the evolution of African children’s literature
‘Writers will continue to matter irrespective of harsh socioeconomic conditions in which they operate’
By Paul Liam THE 2025 edition of Benue Book and Arts Festival…
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: ‘Writers will continue to matter irrespective of harsh socioeconomic conditions in which they operate’