‘The Bako of Zereshé’ by Dexter Loko: A review
Review

‘The Bako of Zereshé’ by Dexter Loko: A review

anote
August 19
Comments (0)
Read More
When academics, others honoured Wale Okediran’s literary work adapted into film
Review

When academics, others honoured Wale Okediran’s literary work adapted into film

anote
August 18
Comments (0)
Read More
Two plays, one meaning in ‘Death of a Salesman’ and ‘Death and the King’s Horseman’
Review

Two plays, one meaning in ‘Death of a Salesman’ and ‘Death and the King’s Horseman’

anote
August 17
Comments (0)
Read More
When poetry came alive: My NIPOCON 2026 experience
Review

When poetry came alive: My NIPOCON 2026 experience

anote
August 13
Comments (0)
Read More
‘Medicine and Literature Without Borders’: Health and social justice in the writings of Wale Okediran
Review

‘Medicine and Literature Without Borders’: Health and social justice in the writings of Wale Okediran

anote
August 12
Comments (0)
Read More
History and colonial impulse in Tares Oburumu’s ‘Flora’s Love Colony’
Review

History and colonial impulse in Tares Oburumu’s ‘Flora’s Love Colony’

anote
August 11
Comments (0)
Read More
Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience
Review

Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience

anote
August 5
Comments (0)
Read More
How has Black theatre’s response to white supremacy changed over 60 years?
Review

How has Black theatre’s response to white supremacy changed over 60 years?

anote
August 3
Comments (0)
Read More
Masculinity and the violence of ego in Georgie Iortema’s ‘Clipping the Wings’
Review

Masculinity and the violence of ego in Georgie Iortema’s ‘Clipping the Wings’

anote
August 1
Comments (0)
Read More
Grammar of wounds: Reading James Eze’s ‘Unbind Me Now’ as poetry of healing
Review

Grammar of wounds: Reading James Eze’s ‘Unbind Me Now’ as poetry of healing

anote
August 1
Comments (0)
Read More