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August 12, 2026
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Category : News
News
Ori II: 30 Nigerian sculptors explore identity, memory, consciousness in 2nd biennial
anote
August 12
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The outflow of Nigerian talent is a form of blood money, outsourced slavery, says Osundare
anote
August 7
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TheArtHub
CORA-NLNG Book Party: ‘Conversations are key to preserving Nigeria’s literary heritage’
anote
August 6
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11 documentary filmmakers in USD$20,000 race for The Nigeria Prize for Creative Arts
anote
August 3
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The Nigeria Prize for Literature 2026… Meet the 11 poet laureates
anote
August 1
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‘The Witness Remains’: Creative protégés honour Tam Fiofori’s visionary legacy
anote
July 31
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Nigeria’s education crisis is no longer about enrolment, it’s about system capacity
anote
July 31
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AFRIMA partners Lesotho Music Awards to advance country’s creative industry
anote
July 30
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Obasanjo to unveil Charly Boy’s memoir in tribute to Justice Oputa in Lagos
anote
July 30
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Bukar Usman renews call for local police, says community-based policing is Nigeria’s missing link
anote
July 30
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Ori II: 30 Nigerian sculptors explore identity, memory, consciousness in 2nd biennial
By Editor ORI II, the second biennial of contemporary Nigerian sculpture, brings…
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: Ori II: 30 Nigerian sculptors explore identity, memory, consciousness in 2nd biennial
‘Medicine and Literature Without Borders’: Health and social justice in the writings of Wale Okediran
By Aanuoluwapo Rotimi MEDICINE and Literature Without Borders: Health and Social Justice…
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: ‘Medicine and Literature Without Borders’: Health and social justice in the writings of Wale Okediran
History and colonial impulse in Tares Oburumu’s ‘Flora’s Love Colony’
By Kehinde Folorunsho IT is an indisputable fact that African literature still…
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: History and colonial impulse in Tares Oburumu’s ‘Flora’s Love Colony’
Edward Irivwoje: A forgotten pioneer in the early story of modern Nigerian art education
By Mudiare Onobrakpeya THE history of modern Nigerian art is often told…
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: Edward Irivwoje: A forgotten pioneer in the early story of modern Nigerian art education
The outflow of Nigerian talent is a form of blood money, outsourced slavery, says Osundare
* ‘We must not run our universities the way politicians are running…
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: The outflow of Nigerian talent is a form of blood money, outsourced slavery, says Osundare
Voices behind the verses: 11 poets reflect on memory, identity and the power of poetry
By Godwin Okondo THE voices behind the 11 poetry collections longlisted for…
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: Voices behind the verses: 11 poets reflect on memory, identity and the power of poetry
CORA-NLNG Book Party: ‘Conversations are key to preserving Nigeria’s literary heritage’
By Godwin Okondo THE Committee for Relevant Art (CORA), in partnership with…
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: CORA-NLNG Book Party: ‘Conversations are key to preserving Nigeria’s literary heritage’
Poetry: Tribute to Grandpa
* for Prof. Ayo Bamgbose By Gbekeloluwa Yusuf IT is dusk Grandpa!The…
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: Poetry: Tribute to Grandpa
In defence of St Janet—and the freedom to create
By Babafemi Ojudu I listened to St Janet just as I listened…
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: In defence of St Janet—and the freedom to create
Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience
By Femi Morgan THE enduring relevance of Professor Wole Soyinka’s dramatic satire…
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: Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience
Poetry: When Rain Burns
–for Oronto Natei Douglas By Majekodunmi Oseriemen Ebhohon PA Oronto,rain fallsyet why…
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: Poetry: When Rain Burns
Bukar Usman bows out, leaves Nigerian Folklore Society in good stead
By Anote Ajeluorou AFTER 14 years as the president of the Nigerian…
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: Bukar Usman bows out, leaves Nigerian Folklore Society in good stead
‘Children of Blood and Bone’: A reflection on cultural authorship, translation, reciprocity
By Qudus Onikeku WHEN the trailer for Children of Blood and Bone…
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: ‘Children of Blood and Bone’: A reflection on cultural authorship, translation, reciprocity
How has Black theatre’s response to white supremacy changed over 60 years?
By Precious Etop IN 1965, at the height of the Civil Rights…
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: How has Black theatre’s response to white supremacy changed over 60 years?