Images, poetry, conversation at Yemisi Shyllon Museum of Art, Lagos
Review

Images, poetry, conversation at Yemisi Shyllon Museum of Art, Lagos

anote
October 19
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The politics of the personal and the collective: A reading of Bioku’s ‘The Shape I Took’
Review

The politics of the personal and the collective: A reading of Bioku’s ‘The Shape I Took’

anote
October 15
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A case for my accusers: A review of Kehinde Fatai’s ‘Judge Me on a Blank Page’
Review

A case for my accusers: A review of Kehinde Fatai’s ‘Judge Me on a Blank Page’

anote
October 12
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When NLNG honoured literary, scientific, creative excellence at Grand Award Night 2026
Review

When NLNG honoured literary, scientific, creative excellence at Grand Award Night 2026

anote
October 12
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The Shoemaker has run away! as Lorca’s ‘The Shoemaker’s Wonderful Wife’ hits Jos stage
Review

The Shoemaker has run away! as Lorca’s ‘The Shoemaker’s Wonderful Wife’ hits Jos stage

anote
October 11
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James Eze: When words become a calling and poetry becomes a gift to humanity
Review

James Eze: When words become a calling and poetry becomes a gift to humanity

anote
October 11
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This widow has a choice! When Alagbaoso’s ‘The Widow’s Choice’ hit the stage in Jos
Review

This widow has a choice! When Alagbaoso’s ‘The Widow’s Choice’ hit the stage in Jos

anote
October 10
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Vanity – and all is vanity – so says Abdullahi’s ‘Chants in a Cemetary’
Review

Vanity – and all is vanity – so says Abdullahi’s ‘Chants in a Cemetary’

anote
October 9
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Rousing spectacle as Jos Festival of Theatre opens with ‘Woven Veil’
Review

Rousing spectacle as Jos Festival of Theatre opens with ‘Woven Veil’

anote
October 8
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Violence, trauma and memory in Jeff Iwu’s ‘Cold Things’
Review

Violence, trauma and memory in Jeff Iwu’s ‘Cold Things’

anote
September 24
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