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August 6, 2026
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Tag: Umar

Let’s speak our Mother Tongue, please!
Colloquium

Let’s speak our Mother Tongue, please!

anote
February 25
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PAWA Scretary-General: Significance of Wale Okediran’s re-election for Africa
Colloquium

PAWA Scretary-General: Significance of Wale Okediran’s re-election for Africa

anote
July 22
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Devils in power: Postcolonial shadows, African struggles and gospel of self-salvation in Ngũgĩ wa Thiong’o’s ‘Devil on the Cross’
Review

Devils in power: Postcolonial shadows, African struggles and gospel of self-salvation in Ngũgĩ wa Thiong’o’s ‘Devil on the Cross’

anote
July 15
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An audacious narrative experiment in Umar Abubakar Sidi’s ‘The Incredible Dreams of Garba Dakaskus’
Review

An audacious narrative experiment in Umar Abubakar Sidi’s ‘The Incredible Dreams of Garba Dakaskus’

anote
April 22
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Sehene’s ‘Fire Beneath the Cassock’: How bigotry, politics fueled Rwanda’s tragedy
Review

Sehene’s ‘Fire Beneath the Cassock’: How bigotry, politics fueled Rwanda’s tragedy

anote
April 15
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Epistemic justice, plurality of ontology in Sidi’s ‘The Incredible Dreams of Garba Dakaskus’
Review

Epistemic justice, plurality of ontology in Sidi’s ‘The Incredible Dreams of Garba Dakaskus’

anote
March 23
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Reimagining the Narrative: Magical realism and African renaissance in Okri, Osabo’s ‘Dangerous Love’, ‘Beneath the Raft’
Review

Reimagining the Narrative: Magical realism and African renaissance in Okri, Osabo’s ‘Dangerous Love’, ‘Beneath the Raft’

anote
March 18
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‘Beneath the Lion’s Gaze’: Maaza Mengiste’s portrait of Ethiopia
Review

‘Beneath the Lion’s Gaze’: Maaza Mengiste’s portrait of Ethiopia

anote
March 10
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Spirits and sins: Comparing magical realism in Okri’s ‘The Famished Road’ and Osabo’s ‘Whispers of Gods’
Review

Spirits and sins: Comparing magical realism in Okri’s ‘The Famished Road’ and Osabo’s ‘Whispers of Gods’

anote
March 4
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Investigating the etymology of obsolete concepts in Amrah Aliyu’s ‘Breast Are Names of Flowers’
Book Review

Investigating the etymology of obsolete concepts in Amrah Aliyu’s ‘Breast Are Names of Flowers’

idesign
October 28
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  • Voices behind the verses: 11 poets reflect on memory, identity and the power of poetry
    By Godwin Okondo THE voices behind the 11 poetry collections longlisted for… Read more: Voices behind the verses: 11 poets reflect on memory, identity and the power of poetry
  • CORA-NLNG Book Party: ‘Conversations are key to preserving Nigeria’s literary heritage’
    By Godwin Okondo THE Committee for Relevant Art (CORA), in partnership with… Read more: CORA-NLNG Book Party: ‘Conversations are key to preserving Nigeria’s literary heritage’
  • Poetry: Tribute to Grandpa
    * for Prof. Ayo Bamgbose By Gbekeloluwa Yusuf IT is dusk Grandpa!The… Read more: Poetry: Tribute to Grandpa
  • In defence of St Janet—and the freedom to create
    By Babafemi Ojudu I listened to St Janet just as I listened… Read more: In defence of St Janet—and the freedom to create
  • Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience
    By Femi Morgan THE enduring relevance of Professor Wole Soyinka’s dramatic satire… Read more: Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience
  • Poetry: When Rain Burns
    –for Oronto Natei Douglas By Majekodunmi Oseriemen Ebhohon PA Oronto,rain fallsyet why… Read more: Poetry: When Rain Burns
  • Bukar Usman bows out, leaves Nigerian Folklore Society in good stead
    By Anote Ajeluorou AFTER 14 years as the president of the Nigerian… Read more: Bukar Usman bows out, leaves Nigerian Folklore Society in good stead
  • ‘Children of Blood and Bone’: A reflection on cultural authorship, translation, reciprocity
    By Qudus Onikeku WHEN the trailer for Children of Blood and Bone… Read more: ‘Children of Blood and Bone’: A reflection on cultural authorship, translation, reciprocity
  • How has Black theatre’s response to white supremacy changed over 60 years?
    By Precious Etop IN 1965, at the height of the Civil Rights… Read more: How has Black theatre’s response to white supremacy changed over 60 years?
  • 11 documentary filmmakers in USD$20,000 race for The Nigeria Prize for Creative Arts
    By Editor NOMINEES for the first-ever The Nigeria Prize for Creative Arts… Read more: 11 documentary filmmakers in USD$20,000 race for The Nigeria Prize for Creative Arts
  • Masculinity and the violence of ego in Georgie Iortema’s ‘Clipping the Wings’
    By Paul Liam GEORGIE Iortema’s Clipping the Wings (Aboki Publishers, Makurdi; 2023)… Read more: Masculinity and the violence of ego in Georgie Iortema’s ‘Clipping the Wings’
  • Grammar of wounds: Reading James Eze’s ‘Unbind Me Now’ as poetry of healing
    By Jeff Iwu JAMES Eze’s steady evolution as a poet has been… Read more: Grammar of wounds: Reading James Eze’s ‘Unbind Me Now’ as poetry of healing
  • The Nigeria Prize for Literature 2026… Meet the 11 poet laureates
    By Editor TOMORROW, Sunday, 2 August 2026 at MUSON Centre, Onikan, Lagos… Read more: The Nigeria Prize for Literature 2026… Meet the 11 poet laureates
  • ‘The Witness Remains’: Creative protégés honour Tam Fiofori’s visionary legacy
    By Godwin Okondo CREATIVE artists, photographers, filmmakers, and cultural advocates gathered online… Read more: ‘The Witness Remains’: Creative protégés honour Tam Fiofori’s visionary legacy

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