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October 12, 2026
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Tag: Umar

Let’s speak our Mother Tongue, please!
Colloquium

Let’s speak our Mother Tongue, please!

anote
February 25
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PAWA Scretary-General: Significance of Wale Okediran’s re-election for Africa
Colloquium

PAWA Scretary-General: Significance of Wale Okediran’s re-election for Africa

anote
July 22
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Devils in power: Postcolonial shadows, African struggles and gospel of self-salvation in Ngũgĩ wa Thiong’o’s ‘Devil on the Cross’
Review

Devils in power: Postcolonial shadows, African struggles and gospel of self-salvation in Ngũgĩ wa Thiong’o’s ‘Devil on the Cross’

anote
July 15
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An audacious narrative experiment in Umar Abubakar Sidi’s ‘The Incredible Dreams of Garba Dakaskus’
Review

An audacious narrative experiment in Umar Abubakar Sidi’s ‘The Incredible Dreams of Garba Dakaskus’

anote
April 22
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Sehene’s ‘Fire Beneath the Cassock’: How bigotry, politics fueled Rwanda’s tragedy
Review

Sehene’s ‘Fire Beneath the Cassock’: How bigotry, politics fueled Rwanda’s tragedy

anote
April 15
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Epistemic justice, plurality of ontology in Sidi’s ‘The Incredible Dreams of Garba Dakaskus’
Review

Epistemic justice, plurality of ontology in Sidi’s ‘The Incredible Dreams of Garba Dakaskus’

anote
March 23
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Reimagining the Narrative: Magical realism and African renaissance in Okri, Osabo’s ‘Dangerous Love’, ‘Beneath the Raft’
Review

Reimagining the Narrative: Magical realism and African renaissance in Okri, Osabo’s ‘Dangerous Love’, ‘Beneath the Raft’

anote
March 18
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‘Beneath the Lion’s Gaze’: Maaza Mengiste’s portrait of Ethiopia
Review

‘Beneath the Lion’s Gaze’: Maaza Mengiste’s portrait of Ethiopia

anote
March 10
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Spirits and sins: Comparing magical realism in Okri’s ‘The Famished Road’ and Osabo’s ‘Whispers of Gods’
Review

Spirits and sins: Comparing magical realism in Okri’s ‘The Famished Road’ and Osabo’s ‘Whispers of Gods’

anote
March 4
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Investigating the etymology of obsolete concepts in Amrah Aliyu’s ‘Breast Are Names of Flowers’
Book Review

Investigating the etymology of obsolete concepts in Amrah Aliyu’s ‘Breast Are Names of Flowers’

idesign
October 28
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  • The Shoemaker has run away! as Lorca’s ‘The Shoemaker’s Wonderful Wife’ hits Jos stage
    By Omadachi Oklobia IT was the final play in the 4-day festival.… Read more: The Shoemaker has run away! as Lorca’s ‘The Shoemaker’s Wonderful Wife’ hits Jos stage
  • ANA hails Ifowodo for literary feat, celebrates Nigerian poetry, commends NLNG
    By Editor THE Association of Nigerian Authors (ANA) has congratulated distinguished Nigerian… Read more: ANA hails Ifowodo for literary feat, celebrates Nigerian poetry, commends NLNG
  • Carson, Kundizeza, Ifowodo shine in a week of top literary honours
    By Godwin Okondo CANADIAN poet, essayist, translator and classicist Anne Carson has… Read more: Carson, Kundizeza, Ifowodo shine in a week of top literary honours
  • James Eze: When words become a calling and poetry becomes a gift to humanity
    By Uzu Okagbue THERE are writers who command words, and there are… Read more: James Eze: When words become a calling and poetry becomes a gift to humanity
  • When CORA Youth Creative Club explored AI’s place in the creative industry
    By Nathaniel Olawoyin FOR two days, October 6 ad 7, members of… Read more: When CORA Youth Creative Club explored AI’s place in the creative industry
  • Ifowodo wins The Nigeria Prize for Literature 2026 as Oke, Abiola share Creative Arts honour
    By Editor OGAGA Ifowodo’s Why Does God Need a Gun? has won… Read more: Ifowodo wins The Nigeria Prize for Literature 2026 as Oke, Abiola share Creative Arts honour
  • This widow has a choice! When Alagbaoso’s ‘The Widow’s Choice’ hit the stage in Jos
    By Omadachi Oklobia THE performance of Jerry Alagbaoso’s The Widow’s Choice at… Read more: This widow has a choice! When Alagbaoso’s ‘The Widow’s Choice’ hit the stage in Jos
  • Losing The Nigeria Prize for Literature: The writers must receive our kindness.
    By Obinna Udenwe WRITING, as has been said by many people, is… Read more: Losing The Nigeria Prize for Literature: The writers must receive our kindness.
  • Poetry: October First
    By Majekodunmi Oseriemen Ebhohon I am adjusting the dials on the radio,trying… Read more: Poetry: October First
  • Nobel Prize in Literature no longer interested in grand narratives?
    By Mina A. Gayed I have noticed that, in recent years, the… Read more: Nobel Prize in Literature no longer interested in grand narratives?
  • Vanity – and all is vanity – so says Abdullahi’s ‘Chants in a Cemetary’
    By Omadachi Oklobia THE performance of Chants in a Cemetary, written by… Read more: Vanity – and all is vanity – so says Abdullahi’s ‘Chants in a Cemetary’
  • DG Holloway to British Museum: Don’t insult us by offering looted bronzes to us as loans
    By Godwin Okondo THE Director General of the National Commission for Museums… Read more: DG Holloway to British Museum: Don’t insult us by offering looted bronzes to us as loans
  • Rousing spectacle as Jos Festival of Theatre opens with ‘Woven Veil’
    By Omadachi Oklobia THE opening was simple. There was little or no… Read more: Rousing spectacle as Jos Festival of Theatre opens with ‘Woven Veil’
  • Poetry: October First
    By Majekodunmi Oseriemen Ebhohon I am adjusting the dials on the radio,trying… Read more: Poetry: October First

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