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September 17, 2026
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Tag: Umar

Let’s speak our Mother Tongue, please!
Colloquium

Let’s speak our Mother Tongue, please!

anote
February 25
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PAWA Scretary-General: Significance of Wale Okediran’s re-election for Africa
Colloquium

PAWA Scretary-General: Significance of Wale Okediran’s re-election for Africa

anote
July 22
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Devils in power: Postcolonial shadows, African struggles and gospel of self-salvation in Ngũgĩ wa Thiong’o’s ‘Devil on the Cross’
Review

Devils in power: Postcolonial shadows, African struggles and gospel of self-salvation in Ngũgĩ wa Thiong’o’s ‘Devil on the Cross’

anote
July 15
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An audacious narrative experiment in Umar Abubakar Sidi’s ‘The Incredible Dreams of Garba Dakaskus’
Review

An audacious narrative experiment in Umar Abubakar Sidi’s ‘The Incredible Dreams of Garba Dakaskus’

anote
April 22
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Sehene’s ‘Fire Beneath the Cassock’: How bigotry, politics fueled Rwanda’s tragedy
Review

Sehene’s ‘Fire Beneath the Cassock’: How bigotry, politics fueled Rwanda’s tragedy

anote
April 15
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Epistemic justice, plurality of ontology in Sidi’s ‘The Incredible Dreams of Garba Dakaskus’
Review

Epistemic justice, plurality of ontology in Sidi’s ‘The Incredible Dreams of Garba Dakaskus’

anote
March 23
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Reimagining the Narrative: Magical realism and African renaissance in Okri, Osabo’s ‘Dangerous Love’, ‘Beneath the Raft’
Review

Reimagining the Narrative: Magical realism and African renaissance in Okri, Osabo’s ‘Dangerous Love’, ‘Beneath the Raft’

anote
March 18
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‘Beneath the Lion’s Gaze’: Maaza Mengiste’s portrait of Ethiopia
Review

‘Beneath the Lion’s Gaze’: Maaza Mengiste’s portrait of Ethiopia

anote
March 10
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Spirits and sins: Comparing magical realism in Okri’s ‘The Famished Road’ and Osabo’s ‘Whispers of Gods’
Review

Spirits and sins: Comparing magical realism in Okri’s ‘The Famished Road’ and Osabo’s ‘Whispers of Gods’

anote
March 4
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Investigating the etymology of obsolete concepts in Amrah Aliyu’s ‘Breast Are Names of Flowers’
Book Review

Investigating the etymology of obsolete concepts in Amrah Aliyu’s ‘Breast Are Names of Flowers’

idesign
October 28
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  • Olu Jacobs: Nigeria’s creative community pays tribute as Nollywood star takes a bow
    By Godwin Okondo THE curtain has fallen on one of Africa’s most… Read more: Olu Jacobs: Nigeria’s creative community pays tribute as Nollywood star takes a bow
  • In defence of Chimamanda Adichie leaving Nigeria
    By Majekodunmi Oseriemen Ebhohon CHIMAMANDA Ngozi Adichie is entirely correct. Following the… Read more: In defence of Chimamanda Adichie leaving Nigeria
  • Olu Jacobs: The curtain falls on the ‘Lion of Lufodo’
    By Godwin Okondo THE curtain has fallen on one of Africa’s most… Read more: Olu Jacobs: The curtain falls on the ‘Lion of Lufodo’
  • Fire as witness, Fire as reckoning:A critical review of Clement Odia’s ‘Feast of Fire’
    By Gegeri Dike-Gegeri THERE are books of poetry that invite the reader… Read more: Fire as witness, Fire as reckoning:A critical review of Clement Odia’s ‘Feast of Fire’
  • Bukar Usman’s ‘A Shared Identity’ affirms Bura cultural, linguistic heritage
    By Anote Ajeluorou VERY often and with the onslaught of globalisation and… Read more: Bukar Usman’s ‘A Shared Identity’ affirms Bura cultural, linguistic heritage
  • Poetry: Before You Die
    By Majekodunmi Oseriemen Ebhohon BEFORE you die,taste the mango with both hands… Read more: Poetry: Before You Die
  • When NIGMA revved up Christian entertainment in Lagos
    By Editor MUSON Centre in Onikan, Lagos, buzzed with an electric energy… Read more: When NIGMA revved up Christian entertainment in Lagos
  • Lagos International Festival of Illustration returns for second edition
    By Editor LAGOS International Festival of Illustration (LIFI) returns for its second… Read more: Lagos International Festival of Illustration returns for second edition
  • CORA to lead conversation on the ‘Power of Story’ at 2026 Lagos Comic Con, September 12
    By Editor THE Committee for Relevant Art (CORA) will participate in the… Read more: CORA to lead conversation on the ‘Power of Story’ at 2026 Lagos Comic Con, September 12
  • Folklore as cultural memory and resistance in James Eze’s ‘Unbind Me Now’
    By Deborah Chinonyerem Uzoma WHEN histories become absurd to the people, ancestral… Read more: Folklore as cultural memory and resistance in James Eze’s ‘Unbind Me Now’
  • Rotting So Beautifully
    By Majekodunmi Oseriemen Ebhohon LOOK how beautifully it falls,without a single argument,dropping… Read more: Rotting So Beautifully
  • Film Africa Network: Building the connections African cinema needs
    By Osezua Steve-Imobhio THE creation of the Film Africa Network (FAN) by… Read more: Film Africa Network: Building the connections African cinema needs
  • Umaisha gets special recognition award at Fortham exhibition
    By Celina Chinwemmeri Ikechukwu NIGERIAN writer, literary journalist and editor, Sumaila Isah… Read more: Umaisha gets special recognition award at Fortham exhibition
  • ‘Japa No Easy’: Obadina’s poetry as unvarnished truth
    By Femi Morgan ONE of the concerns of contemporary literature from Nigeria… Read more: ‘Japa No Easy’: Obadina’s poetry as unvarnished truth

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