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July 11, 2026
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Godwin
Review
Uduma Kalu’s ‘The Merchants of Virgins’, Africa’s first poetic non-fiction, debuts
anote
May 19
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Review
Titi Horsfall: The African literary voice turning history, faith, womanhood into global conversation
anote
May 13
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News
REPRONIG calls for stringent copyright enforcement amidst infringment concerns
anote
April 23
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TheArtHub
NPL 2026: Advisory Board receives over 223 entries as adjudication process begins
anote
April 22
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Tribute
A dream fulfilled as writers honour Evelyn Osagie at memorable ‘Moonbeam’ reading, conversation in Lagos
anote
April 15
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TheArtHub
9th AFRIMA: Africa under one roof as delegates, artistes from 48 countries participate
anote
January 16
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Colloquium
UVA raises alarm over rising censorship, artistic freedom violations in Nigeria
anote
December 24
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Colloquium
The vocation of arts and culture journalist is the most insecure in the newsroom, says Anikulapo
anote
December 15
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Review
Offoedu-Okeke interrogates power, freedom, politics in ‘Time of Redeemer’ exhibition
anote
October 8
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Interview
How NPL-RBC Bookfest animated global literary scene as audiences took on finalists in webinar
anote
September 27
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Tosin Adeyemi lights up Lagos stage this weekend with ‘Ẹbọ’
By Editor THE one-act play, Ẹbọ (The Offering), will leave you gasping…
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: Tosin Adeyemi lights up Lagos stage this weekend with ‘Ẹbọ’
Femi Odugbemi appointed to Editorial Advisory Board of ‘Black Camera’
By Editor AWARD-WINNING filmmaker, producer, director and media scholar Femi Odugbemi has…
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: Femi Odugbemi appointed to Editorial Advisory Board of ‘Black Camera’
Poetry: The Arithmetic of the Sea
By Majekodunmi Ebhohon I used to think the presidentwas the reason I…
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: Poetry: The Arithmetic of the Sea
Wole Soyinka Centre for Culture and the Creative Arts: An Olayemi Cardoso’s extended finance empire?
By Adeniran Makinde THE rebirth of Nigeria’s National Theatre was greeted with…
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: Wole Soyinka Centre for Culture and the Creative Arts: An Olayemi Cardoso’s extended finance empire?
Preserving communal history, traditions, identity with the launch of ‘A History of Lassa’
By Ruth Omowunmi Olanipekun ON Saturday, 27 June, 2026, at 10:00 a.m.,…
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: Preserving communal history, traditions, identity with the launch of ‘A History of Lassa’
‘Children of Blood and Bone’: When a film adaptation goes awry
By Benneth Nwankwo What really happened? One of the most shocking pieces…
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: ‘Children of Blood and Bone’: When a film adaptation goes awry
NIGMA 2026: A showcase of Nigeria’s gospel music excellence, mental health awareness
By Godwin Okondo THE Academy of Gospel Music in Nigeria has announced…
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: NIGMA 2026: A showcase of Nigeria’s gospel music excellence, mental health awareness
Travelogue: A return to Guinea Conakry
By Wale Okediran SECURITY was tight at the Sekhoutoureya presidential palace of…
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: Travelogue: A return to Guinea Conakry
‘Book influencer community and Masobe Books, fingers of one hand to expand the culture we all love’
By Othuke Ominiabohs WE have not responded to the issues that have…
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: ‘Book influencer community and Masobe Books, fingers of one hand to expand the culture we all love’
El Anatsui: Beyond bottle caps and glory
By Chris Uchenna Agbedo “BEYOND Bottle Caps and Glory: A Review of…
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: El Anatsui: Beyond bottle caps and glory
What happened to Ben Enwonwu’s ‘The Drummer’ at former NITEL headquarters?
By Dr. Mudiare Onobrakpeya EVERY nation tells its story through the monuments…
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: What happened to Ben Enwonwu’s ‘The Drummer’ at former NITEL headquarters?
Poetry: Festival of the Golden Spatula
By Majekodunmi Oseriemen Ebhohon I am sitting in the study where the…
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: Poetry: Festival of the Golden Spatula
Callima-Inino, Ogunyinka’s dramatic love stories in ‘A Miracle this Christmas’
By Anote Ajeluorou IF you’re looking for perfect Christian-themed love stories to…
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: Callima-Inino, Ogunyinka’s dramatic love stories in ‘A Miracle this Christmas’
Bridging worlds through literature: A reading of Agawu-Kakraba’s ‘The Restless Crucible’
By Gustavo Brito OVER the past semester, my Advanced English group at…
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: Bridging worlds through literature: A reading of Agawu-Kakraba’s ‘The Restless Crucible’