Feminism, femininity and sexuality in Obinna Udenwe’s ‘The Widow Who Died with Flowers in Her Mouth’
Colloquium

Feminism, femininity and sexuality in Obinna Udenwe’s ‘The Widow Who Died with Flowers in Her Mouth’

anote
February 16
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The Working Class as Economic Scapegoats: An Appraisal of Sumaila Isah Umaisha’s ‘Glasshouse’
Colloquium

The Working Class as Economic Scapegoats: An Appraisal of Sumaila Isah Umaisha’s ‘Glasshouse’

anote
February 11
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Reminders of past subjugations?
Colloquium

Reminders of past subjugations?

anote
February 10
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Wanyanwu’s ‘Jesus Is a Black Man’ sparks global debate on race, religion, identity
Colloquium

Wanyanwu’s ‘Jesus Is a Black Man’ sparks global debate on race, religion, identity

anote
February 8
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Exploring the nexus of duty, responsibility as Soyinka’s ‘Death and The King’s Horseman’ opens at Sheffield Theatres
Colloquium

Exploring the nexus of duty, responsibility as Soyinka’s ‘Death and The King’s Horseman’ opens at Sheffield Theatres

anote
February 3
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Stages in creative writing
Colloquium

Stages in creative writing

anote
January 30
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The surge of interest, popularity of African literature in global narratives
Colloquium

The surge of interest, popularity of African literature in global narratives

anote
January 29
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Benin City and a world class museum
Colloquium

Benin City and a world class museum

anote
January 27
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‘The likes of Dzukogi are often unsung in Nigeria, a nation so deeply sunk into philistinism’
Colloquium

‘The likes of Dzukogi are often unsung in Nigeria, a nation so deeply sunk into philistinism’

anote
January 23
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Nigeria, Africa missing on global map of most visited countries in 2023
Colloquium

Nigeria, Africa missing on global map of most visited countries in 2023

anote
December 30
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