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September 23, 2026
Home
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Tribute
Category : Colloquium
Colloquium
In ‘Juju Eyes’, I look at women from the point of vulnerability, a feminist fire burning inside me, says Omatseye
anote
June 23
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Colloquium
The role of visual narrative in African literature
anote
June 7
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Colloquium
dele jegede @80: The creative pendulum of a genius still swinging
anote
April 25
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Colloquium
Is art a limitless freedom way?: Creatives, academics, regulator, rights crusaders Stampede iREP 2025 to a close
anote
April 6
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Colloquium
Remembrance, and the Reparatory Ethos, 2025
anote
March 26
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Colloquium
A taste of samba-calypso, trans-migratory rhythms on World Poetry Day 2025 in Lagos
anote
March 24
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Colloquium
Music as economic powerhouse: Inside the inaugural Music Policy Assembly in Lagos
anote
March 17
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Colloquium
The National Theatre and the cultural strangulation of Nigeria’s creative sector
anote
March 13
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Colloquium
Mabel Segun and the evolution of African children’s literature
anote
March 7
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Colloquium
‘Writers will continue to matter irrespective of harsh socioeconomic conditions in which they operate’
anote
March 7
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Happiness John of Akwa Ibom emerges winner of Accessible Summer Competition 2026
By Godwin Okondo FRIDAY, September 18, 2026, marked a significant moment in…
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: Happiness John of Akwa Ibom emerges winner of Accessible Summer Competition 2026
Poetry: Worthless Strait
By Majekodunmi Oseriemen Ebhohon I am standing in the garage,staring at a…
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: Poetry: Worthless Strait
Olu Jacobs: Nigeria’s creative community pays tribute as Nollywood star takes a bow
By Godwin Okondo THE curtain has fallen on one of Africa’s most…
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: Olu Jacobs: Nigeria’s creative community pays tribute as Nollywood star takes a bow
In defence of Chimamanda Adichie leaving Nigeria
By Majekodunmi Oseriemen Ebhohon CHIMAMANDA Ngozi Adichie is entirely correct. Following the…
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: In defence of Chimamanda Adichie leaving Nigeria
Olu Jacobs: The curtain falls on the ‘Lion of Lufodo’
By Godwin Okondo THE curtain has fallen on one of Africa’s most…
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: Olu Jacobs: The curtain falls on the ‘Lion of Lufodo’
Fire as witness, Fire as reckoning:A critical review of Clement Odia’s ‘Feast of Fire’
By Gegeri Dike-Gegeri THERE are books of poetry that invite the reader…
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: Fire as witness, Fire as reckoning:A critical review of Clement Odia’s ‘Feast of Fire’
Bukar Usman’s ‘A Shared Identity’ affirms Bura cultural, linguistic heritage
By Anote Ajeluorou VERY often and with the onslaught of globalisation and…
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: Bukar Usman’s ‘A Shared Identity’ affirms Bura cultural, linguistic heritage
Poetry: Before You Die
By Majekodunmi Oseriemen Ebhohon BEFORE you die,taste the mango with both hands…
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: Poetry: Before You Die
When NIGMA revved up Christian entertainment in Lagos
By Editor MUSON Centre in Onikan, Lagos, buzzed with an electric energy…
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: When NIGMA revved up Christian entertainment in Lagos
Lagos International Festival of Illustration returns for second edition
By Editor LAGOS International Festival of Illustration (LIFI) returns for its second…
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: Lagos International Festival of Illustration returns for second edition
CORA to lead conversation on the ‘Power of Story’ at 2026 Lagos Comic Con, September 12
By Editor THE Committee for Relevant Art (CORA) will participate in the…
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: CORA to lead conversation on the ‘Power of Story’ at 2026 Lagos Comic Con, September 12
Folklore as cultural memory and resistance in James Eze’s ‘Unbind Me Now’
By Deborah Chinonyerem Uzoma WHEN histories become absurd to the people, ancestral…
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: Folklore as cultural memory and resistance in James Eze’s ‘Unbind Me Now’
Rotting So Beautifully
By Majekodunmi Oseriemen Ebhohon LOOK how beautifully it falls,without a single argument,dropping…
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: Rotting So Beautifully
Film Africa Network: Building the connections African cinema needs
By Osezua Steve-Imobhio THE creation of the Film Africa Network (FAN) by…
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: Film Africa Network: Building the connections African cinema needs
