December 4, 2024
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‘The Man Died’ returns to home turf… on screen at AFRIFF, LABAF, ENIFF in November

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  • November 3, 2024
  • 5 min read
‘The Man Died’ returns to home turf… on screen at AFRIFF, LABAF, ENIFF in November

By Editor

AFTER a successful two-screening outing in London, The Man Died, the feature film inspired by Wole Soyinka’s memoir of same title, has returned to the home turf; set to feature in major film and literary festivals in the country. On Monday, November 4, the film which parades a galaxy of sterling actors and crew led by the reigning AMVCA Actor-of-the year, Wale Ojo and seasoned Sam Dede and Norbert Young among others, will be screened at 7:00pm at the African International Film Festival, AFRIFF at The Palms Shopping Mall, 1 Bisway Street, Lekki, Lagos. Exploring the theme, ‘Indigenous to Global: Cultural Wealth to Global Prosperity,’ 2024 AFRIFF in its 13th edition, takes place November 3 to 9, at various locations in Lagos.

After AFRIFF, The Man Died is billed for a special screening on Wednesday, November 13 at the Agip Hall, MUSON Centre, Onikan Lagos as part of the Lagos Book & Art Festival, LABAF, which had declared its 2024 season “The Soyinka Year,” and dedicated its 26th edition to celebrating the eminent life and illustrious career of the renowned poet, dramatist, essayist, novelist human and civil rights activist, famously referenced as the “Global Humanist.” Described as the “biggest Cultural Picnic on the continent of Africa”, the one-week LABAF is exploring the theme, ‘BREAKOUT: Hope is a Stubborn Thing’, with over 60 events staged at its traditional venue, Freedom Park, Lagos Island and virtually.

The Man Died (TMD) will also feature as the ‘Opening Film’, at the Eastern Nigeria International Film Festival (ENIFF) in Enugu on November 27. Inspired by the long history Eastern Nigeria has with Nollywood and the African Storytelling industry, ENIFF 2024 explores the theme, “Reimagine,” focusing on how storytelling can reshape narratives and drive social impact.

Since its first screening on July 12 in Lagos to mark the Nobel laureate’s 90th birthday (July 13), The Man Died had been abroad; July at the Africa Centre, London as part of a 9-day feast to commemorate Soyinka’s 90th birthday anniversary; it returned home on October 5 as part of the Quramo Festival of Words, QFest. It had then gone abroad, featuring in October at the ‘Streamfest’ segment of the Labone Dalogues of the New York University in in Accra, Ghana. It returned to London later October to feature at the Film Africa Festival (FAF), with an educational shot at the University of East Anglia, Norwich; and at the Streamfest of the ‘Labone Dialogues’ (October 11, New York University, NYU Accra).

Though yet to be formally released to the public cinema circuits or online streaming platforms, the film has been garnering volumes of critical acclaims, and in the review gaze of such top-notch global cinematic gatherings as the Berlinale in Germany, Catharge in Algeria, Jo’Burg Film Festival, SA; African Film Festival, New York, US, and FESPACO in Burkina Faso, among others. This is as it is also being reviewed by at least three major global streaming platforms, and international distribution channels.

The various screenings, “are part of the strategic agenda to make the film register its impact in the two most important target audiences — festival circuits and educational institutions before it hits the commercial phase — theatre screening and online streaming,” stated the promoters, the Foundation for the Promotion of Documentary Films in Africa, FPDFA, otherwise known as the iREPRESENT International Documentary Film Forum, iREP.

Produced by Zuri 24 Media, The Man Died, according to the synopsis on its website — www.themandiedmovie.com — is the story of Wole Soyinka’s 27 months incarceration by the Nigerian government in 1967 at the cusp of the civil war. He was famously seeking a truce between Biafra and the Federal Government to allow time for a negotiated settlement of the conflict. It is fundamentally a personal account. Essentially, the subject found refuge from the brutality inflicted upon him by retreating into and living within his own mind. At times, he drifted about the frontiers of madness, hanging on to himself by a thread. At other times, he pondered, listened, and watched, like only the truly otherwise unoccupied can. Importantly, he managed to scrounge paper and a pencil from time to time and record his journey of ‘motionlessness.”

The director of the film, an actor, playwright, director of stage plays, films and curator of visual arts, Awam Amkpa is a Nigerian-American professor of drama, film, and social and cultural analysis at the New York University in New York and Abu Dhabi. Author of Theatre and Postcolonial Desires (Routledge, 2003), Awam is director of film documentaries and curator of photographic exhibitions and film festivals. He has also written several articles on representations in Africa and its diasporas, representations, and modernisms in theater, postcolonial theater, and Black Atlantic films.

Interview: https://www.youtube.com/watch?v=mSqp6Z0XsuE

The Producer, an accomplished storyteller, content producer, filmmaker, and media scholar, Femi Odugbemi is the Founder/CEO of Zuri24 Media Lagos, producers of the film. His screen credits over 25 years in the creative industries span feature films, multiple drama TV series and documentaries. He was one of the founding producers of the daily soap opera Tinsel as well as executive producer of several popular TV soap operas, including Battleground, Brethren Movement JAPA and Covenant, among others. Also, producer of several award-winning documentaries and feature films, Odugbemi is Co-Founder/Executive Director of the IREPRESENT International Documentary Film Festival Lagos and a voting member of the Academy of Motion Picture Arts and Sciences and the International Academy of Television Arts and Sciences (https://www.youtube.com/watch?v=GoeiYA8vjrk).

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