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July 11, 2026
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Okondo
Colloquium
I wanted the amount Davido would get for a music show just to read, says GWR read-athon Bayode
anote
October 2
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Colloquium
When 11 playwrights took centrestage to thrill literary enthusiasts at CORA-NLNG Book Party 2023
idesign
August 15
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Review
Writers must stand up as creative nationalists for a nation at crossroads, Says Oribhabor
idesign
December 17
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Colloquium
We’ve lost Africa’s oral narrative voice, the moral force behind it to our own ruin, says Ajeluorou
idesign
December 4
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News
After ‘Agbaro the Musical’, RMD, others star in Itoro’s ‘One Good Man’ in Abuja
idesign
October 27
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Colloquium
‘A Possible Future’ is Nigerian unity in artistic terms
idesign
September 22
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Colloquium
‘Sogúndogójì’: making Nigerians politically conscious through performance art
idesign
September 6
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News
Promoters of book clubs, writers set for 2022 conference, AGM in Uyo
idesign
August 31
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News
Babs Omotowa headlines Kachifo’s inaugural Leadership Book Series
idesign
July 29
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Colloquium
Soyinka@88: Making a case for citizens’ rights, freedom, justice at WSICE programme
idesign
July 15
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Tosin Adeyemi lights up Lagos stage this weekend with ‘Ẹbọ’
By Editor THE one-act play, Ẹbọ (The Offering), will leave you gasping…
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: Tosin Adeyemi lights up Lagos stage this weekend with ‘Ẹbọ’
Femi Odugbemi appointed to Editorial Advisory Board of ‘Black Camera’
By Editor AWARD-WINNING filmmaker, producer, director and media scholar Femi Odugbemi has…
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: Femi Odugbemi appointed to Editorial Advisory Board of ‘Black Camera’
Poetry: The Arithmetic of the Sea
By Majekodunmi Ebhohon I used to think the presidentwas the reason I…
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: Poetry: The Arithmetic of the Sea
Wole Soyinka Centre for Culture and the Creative Arts: An Olayemi Cardoso’s extended finance empire?
By Adeniran Makinde THE rebirth of Nigeria’s National Theatre was greeted with…
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: Wole Soyinka Centre for Culture and the Creative Arts: An Olayemi Cardoso’s extended finance empire?
Preserving communal history, traditions, identity with the launch of ‘A History of Lassa’
By Ruth Omowunmi Olanipekun ON Saturday, 27 June, 2026, at 10:00 a.m.,…
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: Preserving communal history, traditions, identity with the launch of ‘A History of Lassa’
‘Children of Blood and Bone’: When a film adaptation goes awry
By Benneth Nwankwo What really happened? One of the most shocking pieces…
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: ‘Children of Blood and Bone’: When a film adaptation goes awry
NIGMA 2026: A showcase of Nigeria’s gospel music excellence, mental health awareness
By Godwin Okondo THE Academy of Gospel Music in Nigeria has announced…
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: NIGMA 2026: A showcase of Nigeria’s gospel music excellence, mental health awareness
Travelogue: A return to Guinea Conakry
By Wale Okediran SECURITY was tight at the Sekhoutoureya presidential palace of…
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: Travelogue: A return to Guinea Conakry
‘Book influencer community and Masobe Books, fingers of one hand to expand the culture we all love’
By Othuke Ominiabohs WE have not responded to the issues that have…
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: ‘Book influencer community and Masobe Books, fingers of one hand to expand the culture we all love’
El Anatsui: Beyond bottle caps and glory
By Chris Uchenna Agbedo “BEYOND Bottle Caps and Glory: A Review of…
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: El Anatsui: Beyond bottle caps and glory
What happened to Ben Enwonwu’s ‘The Drummer’ at former NITEL headquarters?
By Dr. Mudiare Onobrakpeya EVERY nation tells its story through the monuments…
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: What happened to Ben Enwonwu’s ‘The Drummer’ at former NITEL headquarters?
Poetry: Festival of the Golden Spatula
By Majekodunmi Oseriemen Ebhohon I am sitting in the study where the…
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: Poetry: Festival of the Golden Spatula
Callima-Inino, Ogunyinka’s dramatic love stories in ‘A Miracle this Christmas’
By Anote Ajeluorou IF you’re looking for perfect Christian-themed love stories to…
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: Callima-Inino, Ogunyinka’s dramatic love stories in ‘A Miracle this Christmas’
Bridging worlds through literature: A reading of Agawu-Kakraba’s ‘The Restless Crucible’
By Gustavo Brito OVER the past semester, my Advanced English group at…
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: Bridging worlds through literature: A reading of Agawu-Kakraba’s ‘The Restless Crucible’