Motifs of greed, grief, grace in Ugochukwu’s film, ‘The Last Offering’
Review

Motifs of greed, grief, grace in Ugochukwu’s film, ‘The Last Offering’

anote
October 29
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Psychological trauma, healing in Jeff Iwu’s ‘Verdict of the Gods’
Review

Psychological trauma, healing in Jeff Iwu’s ‘Verdict of the Gods’

anote
October 26
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Awodiya’s ‘Lagos Is My Country’ as metaphor for dystopia
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Awodiya’s ‘Lagos Is My Country’ as metaphor for dystopia

anote
October 20
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‘Afrobeat Rebellion’: Exploring depth of Fela’s artistry, political activism
Review

‘Afrobeat Rebellion’: Exploring depth of Fela’s artistry, political activism

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October 20
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Soul-stirring concert opened MUSON Festival 2025 as musical tributes pour in for Marion Akpata
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Soul-stirring concert opened MUSON Festival 2025 as musical tributes pour in for Marion Akpata

anote
October 17
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Bukar Usman: Raising the culture of book donation in Nigeria
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Bukar Usman: Raising the culture of book donation in Nigeria

anote
October 16
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How new yam feast, Ekumeku war memorial energised 2nd Indigenous Art Festival, Asaba
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How new yam feast, Ekumeku war memorial energised 2nd Indigenous Art Festival, Asaba

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October 10
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Offoedu-Okeke interrogates power, freedom, politics in ‘Time of Redeemer’ exhibition
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Offoedu-Okeke interrogates power, freedom, politics in ‘Time of Redeemer’ exhibition

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October 8
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Nwelue’s ‘The Loan Shark of Gangnam District’ exposes Seoul’s seething underbelly
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Nwelue’s ‘The Loan Shark of Gangnam District’ exposes Seoul’s seething underbelly

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October 3
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The star, the son, the story: Unpacking Nwelue’s Davido biography
Review

The star, the son, the story: Unpacking Nwelue’s Davido biography

anote
October 3
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