Psychological trauma, healing in Jeff Iwu’s ‘Verdict of the Gods’
Review

Psychological trauma, healing in Jeff Iwu’s ‘Verdict of the Gods’

anote
October 26
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Awodiya’s ‘Lagos Is My Country’ as metaphor for dystopia
Review

Awodiya’s ‘Lagos Is My Country’ as metaphor for dystopia

anote
October 20
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‘Afrobeat Rebellion’: Exploring depth of Fela’s artistry, political activism
Review

‘Afrobeat Rebellion’: Exploring depth of Fela’s artistry, political activism

anote
October 20
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Soul-stirring concert opened MUSON Festival 2025 as musical tributes pour in for Marion Akpata
Review

Soul-stirring concert opened MUSON Festival 2025 as musical tributes pour in for Marion Akpata

anote
October 17
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Bukar Usman: Raising the culture of book donation in Nigeria
Review

Bukar Usman: Raising the culture of book donation in Nigeria

anote
October 16
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How new yam feast, Ekumeku war memorial energised 2nd Indigenous Art Festival, Asaba
Review

How new yam feast, Ekumeku war memorial energised 2nd Indigenous Art Festival, Asaba

anote
October 10
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Offoedu-Okeke interrogates power, freedom, politics in ‘Time of Redeemer’ exhibition
Review

Offoedu-Okeke interrogates power, freedom, politics in ‘Time of Redeemer’ exhibition

anote
October 8
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Nwelue’s ‘The Loan Shark of Gangnam District’ exposes Seoul’s seething underbelly
Review

Nwelue’s ‘The Loan Shark of Gangnam District’ exposes Seoul’s seething underbelly

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October 3
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The star, the son, the story: Unpacking Nwelue’s Davido biography
Review

The star, the son, the story: Unpacking Nwelue’s Davido biography

anote
October 3
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Words that Be and Mean: A Review of Lawal’s ‘The Universe Owes Me Many More Years’
Review

Words that Be and Mean: A Review of Lawal’s ‘The Universe Owes Me Many More Years’

anote
October 2
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