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October 10, 2026
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Review
Masculinity and the violence of ego in Georgie Iortema’s ‘Clipping the Wings’
anote
August 1
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Review
‘Moonbeam’: Revisiting the culture of anthology in Nigerian literature
anote
April 11
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Teaching children to be responsible adults in Ameh’s ‘Mariamo and the Bowl of Cashews’ and ‘The Rise of the Phoenix’
anote
January 23
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‘A Husband’s Wife’: Chronicling rupture, betrayal in modern marriages
anote
November 3
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News
Obinna Udenwe completes northern book tour of ‘Years of Shame’ in Minna
anote
August 13
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News
How Uwem Akpan, Nana Sule’s reading animated Abuja literary landscape
anote
July 18
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Review
Udenwe’s ‘Years of Shame’: A celebration of Ukpa Ji-Ukpa-Nwa tradition, African spirituality
anote
July 17
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Review
Echoes of trauma, social consciousness in Elizabeth Akinsehinwa’s ‘In His Care’
anote
July 9
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Mairo Mudi’s ‘The Second Wife’: A woman’s flower blooms only for so long
anote
March 19
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An Orchestra of memories, supplications in Mohammed Salihu’s ‘Voices from the Soil’
anote
March 19
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Nobel Prize in Literature no longer interested in grand narratives?
By Mina A. Gayed I have noticed that, in recent years, the…
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: Nobel Prize in Literature no longer interested in grand narratives?
Vanity – and all is vanity – so says Abdullahi’s ‘Chants in a Cemetary’
By Omadachi Oklobia THE performance of Chants in a Cemetary, written by…
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: Vanity – and all is vanity – so says Abdullahi’s ‘Chants in a Cemetary’
DG Holloway to British Museum: Don’t insult us by offering looted bronzes to us as loans
By Godwin Okondo THE Director General of the National Commission for Museums…
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: DG Holloway to British Museum: Don’t insult us by offering looted bronzes to us as loans
Rousing spectacle as Jos Festival of Theatre opens with ‘Woven Veil’
By Omadachi Oklobia THE opening was simple. There was little or no…
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: Rousing spectacle as Jos Festival of Theatre opens with ‘Woven Veil’
Poetry: October First
By Majekodunmi Oseriemen Ebhohon I am adjusting the dials on the radio,trying…
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: Poetry: October First
Leah Sharibu in focus as Senator Sampson joined Ifowodo in Abuja reading, conversation
By Samuel Udoma IT was an evening of delightful, yet thought-provoking poetry…
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: Leah Sharibu in focus as Senator Sampson joined Ifowodo in Abuja reading, conversation
AU, AFRIMA officially open 10th edition Entries Portal October 11
By Editor THE stage is set for another major chapter in African…
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: AU, AFRIMA officially open 10th edition Entries Portal October 11
Made Kuti to perform classical music as MUSON Festival 2026 opens October 23
By Editor AFROBEAT multi-instrumentalist and grandson of Afrobeat pioneer Fela Anikulapo-Kuti, Made…
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: Made Kuti to perform classical music as MUSON Festival 2026 opens October 23
Lagos Fringe Festival returns in 9th edition with ‘Let’s Play’ November 3 – 8
By Editor “LAGOS Fringe Festival returns from November 3 to 8 and…
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: Lagos Fringe Festival returns in 9th edition with ‘Let’s Play’ November 3 – 8
ANA’s 2nd edition of Ken Saro-Wiwa International Writers’ Residency ends
By Editor THE Association of Nigerian Authors (ANA) on Saturday, October 3,…
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: ANA’s 2nd edition of Ken Saro-Wiwa International Writers’ Residency ends
Jos Int’l Festival of Theatre opens with Guobadia’s ‘Woven Veil’ in 4-day thriller with Spanish embassy support
By Editor JOS International Festival of Theatre will open on Wednesday, 7…
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: Jos Int’l Festival of Theatre opens with Guobadia’s ‘Woven Veil’ in 4-day thriller with Spanish embassy support
Agbede wins 2026 Quramo Writers Prize with ‘Four Months’ manuscript
By Godwin Okondo OOREOLUWA O. Agbede has emerged winner of the 2026…
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: Agbede wins 2026 Quramo Writers Prize with ‘Four Months’ manuscript
Awele Ilusanmi Foundation awards 1st scholarships to two university students
By Editor THE Awele Ilusanmi Foundation has awarded its first scholarships to…
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: Awele Ilusanmi Foundation awards 1st scholarships to two university students
Oburumu turns Nigeria’s colonial history into poetry, linking past, present and future
By Godwin Okondo TARES Oburumu has said his shortlisted collection, Flora’s Love…
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: Oburumu turns Nigeria’s colonial history into poetry, linking past, present and future
