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September 18, 2026
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Africa
Colloquium
UVA raises alarm over rising censorship, artistic freedom violations in Nigeria
anote
December 24
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News
AFRIMA, British High Commission partner to promote culture, creative exchange
anote
December 9
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AISA, Multimedia University, Kenya mull Africa’s past, present and future development in 2026 confab
anote
December 8
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EU to strengthen Africa–Europe creative networks with €30m funding initiative
anote
November 25
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Review
Inspiring artists to lead social change as UVA’s Freedom Vibes Academy 2025 ends
anote
November 3
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News
UVA unveils Freedom Vibes Academy to empower artists as agents of change
anote
October 26
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News
AFRIMA commends Tinubu, CBN, Bankers’ Committee for National Theatre revamp, Celebrates Nigeria @ 65
anote
October 2
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News
Fans worldwide decide AFRIMA 2025 winners as Voting Portal opens September 10
anote
September 9
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News
AFRIMA 2025 smashes record with 10,717 entries, nominees list out August 24
anote
August 14
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Review
Devils in power: Postcolonial shadows, African struggles and gospel of self-salvation in Ngũgĩ wa Thiong’o’s ‘Devil on the Cross’
anote
July 15
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Olu Jacobs: Nigeria’s creative community pays tribute as Nollywood star takes a bow
By Godwin Okondo THE curtain has fallen on one of Africa’s most…
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: Olu Jacobs: Nigeria’s creative community pays tribute as Nollywood star takes a bow
In defence of Chimamanda Adichie leaving Nigeria
By Majekodunmi Oseriemen Ebhohon CHIMAMANDA Ngozi Adichie is entirely correct. Following the…
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: In defence of Chimamanda Adichie leaving Nigeria
Olu Jacobs: The curtain falls on the ‘Lion of Lufodo’
By Godwin Okondo THE curtain has fallen on one of Africa’s most…
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: Olu Jacobs: The curtain falls on the ‘Lion of Lufodo’
Fire as witness, Fire as reckoning:A critical review of Clement Odia’s ‘Feast of Fire’
By Gegeri Dike-Gegeri THERE are books of poetry that invite the reader…
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: Fire as witness, Fire as reckoning:A critical review of Clement Odia’s ‘Feast of Fire’
Bukar Usman’s ‘A Shared Identity’ affirms Bura cultural, linguistic heritage
By Anote Ajeluorou VERY often and with the onslaught of globalisation and…
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: Bukar Usman’s ‘A Shared Identity’ affirms Bura cultural, linguistic heritage
Poetry: Before You Die
By Majekodunmi Oseriemen Ebhohon BEFORE you die,taste the mango with both hands…
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: Poetry: Before You Die
When NIGMA revved up Christian entertainment in Lagos
By Editor MUSON Centre in Onikan, Lagos, buzzed with an electric energy…
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: When NIGMA revved up Christian entertainment in Lagos
Lagos International Festival of Illustration returns for second edition
By Editor LAGOS International Festival of Illustration (LIFI) returns for its second…
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: Lagos International Festival of Illustration returns for second edition
CORA to lead conversation on the ‘Power of Story’ at 2026 Lagos Comic Con, September 12
By Editor THE Committee for Relevant Art (CORA) will participate in the…
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: CORA to lead conversation on the ‘Power of Story’ at 2026 Lagos Comic Con, September 12
Folklore as cultural memory and resistance in James Eze’s ‘Unbind Me Now’
By Deborah Chinonyerem Uzoma WHEN histories become absurd to the people, ancestral…
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: Folklore as cultural memory and resistance in James Eze’s ‘Unbind Me Now’
Rotting So Beautifully
By Majekodunmi Oseriemen Ebhohon LOOK how beautifully it falls,without a single argument,dropping…
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: Rotting So Beautifully
Film Africa Network: Building the connections African cinema needs
By Osezua Steve-Imobhio THE creation of the Film Africa Network (FAN) by…
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: Film Africa Network: Building the connections African cinema needs
Umaisha gets special recognition award at Fortham exhibition
By Celina Chinwemmeri Ikechukwu NIGERIAN writer, literary journalist and editor, Sumaila Isah…
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: Umaisha gets special recognition award at Fortham exhibition
‘Japa No Easy’: Obadina’s poetry as unvarnished truth
By Femi Morgan ONE of the concerns of contemporary literature from Nigeria…
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: ‘Japa No Easy’: Obadina’s poetry as unvarnished truth
