Sammie Okposo: Artistic talent well utilized
Review

Sammie Okposo: Artistic talent well utilized

idesign
December 6
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Elixir 2: ‘The New Awakening’ is ‘twirling and swirling in the aesthetics of materials’
Review

Elixir 2: ‘The New Awakening’ is ‘twirling and swirling in the aesthetics of materials’

idesign
December 5
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Opera ‘Cavalleria Rusticana’ performed in honour of Daisy Danjuma at MUSON Festival 2022
Review

Opera ‘Cavalleria Rusticana’ performed in honour of Daisy Danjuma at MUSON Festival 2022

idesign
November 22
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Canvassing citizens’ eternal vigilance as LABAF 2022 opens on political note
Review

Canvassing citizens’ eternal vigilance as LABAF 2022 opens on political note

idesign
November 15
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Legendary artist Bruce Onobrakpeya to headline 24th Lagos Book and Art Festival 2022
Review

Legendary artist Bruce Onobrakpeya to headline 24th Lagos Book and Art Festival 2022

idesign
November 2
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Demas Nwoko: The imperative quest for ‘Concrete Thinking’
Review

Demas Nwoko: The imperative quest for ‘Concrete Thinking’

idesign
November 1
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Why the Isiuwes took ‘Our Byways’ show to the National Museum, Lagos
Review

Why the Isiuwes took ‘Our Byways’ show to the National Museum, Lagos

idesign
October 28
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Johnson appraises challenges, opportunities of Africa’s sea power in new book
Review

Johnson appraises challenges, opportunities of Africa’s sea power in new book

idesign
October 18
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The white man’s unrelenting gaze shines through Tim Cocks’ ‘Lagos Supernatural City’
Review

The white man’s unrelenting gaze shines through Tim Cocks’ ‘Lagos Supernatural City’

idesign
October 12
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Romeo Oriogun’s ‘Nomad’: If only the desert could talk
Review

Romeo Oriogun’s ‘Nomad’: If only the desert could talk

idesign
October 10
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