Reclaiming darkness: Postcolonial identity in Salih’s ‘Season of Migration to the North’
Review

Reclaiming darkness: Postcolonial identity in Salih’s ‘Season of Migration to the North’

anote
March 23
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Mairo Mudi’s ‘The Second Wife’: A woman’s flower blooms only for so long
Review

Mairo Mudi’s ‘The Second Wife’: A woman’s flower blooms only for so long

anote
March 19
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An Orchestra of memories, supplications in Mohammed Salihu’s ‘Voices from the Soil’
Review

An Orchestra of memories, supplications in Mohammed Salihu’s ‘Voices from the Soil’

anote
March 19
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Reimagining the Narrative: Magical realism and African renaissance in Okri, Osabo’s ‘Dangerous Love’, ‘Beneath the Raft’
Review

Reimagining the Narrative: Magical realism and African renaissance in Okri, Osabo’s ‘Dangerous Love’, ‘Beneath the Raft’

anote
March 18
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My takeaways from IBB’s autobiography
Review

My takeaways from IBB’s autobiography

anote
March 17
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Lenten reflection… ‘Jesus falls under the weight of the cross’
Review

Lenten reflection… ‘Jesus falls under the weight of the cross’

anote
March 12
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Review

Obioji’s ‘Mother, Did You Call My name?’ as testament to female self-awareness, affirmation

anote
March 12
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Exploring stages in the journey of life in Okeke’s ‘What Next’?
Review

Exploring stages in the journey of life in Okeke’s ‘What Next’?

anote
March 11
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‘Beneath the Lion’s Gaze’: Maaza Mengiste’s portrait of Ethiopia
Review

‘Beneath the Lion’s Gaze’: Maaza Mengiste’s portrait of Ethiopia

anote
March 10
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Spirits and sins: Comparing magical realism in Okri’s ‘The Famished Road’ and Osabo’s ‘Whispers of Gods’
Review

Spirits and sins: Comparing magical realism in Okri’s ‘The Famished Road’ and Osabo’s ‘Whispers of Gods’

anote
March 4
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