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August 16, 2026
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Liam
Review
Masculinity and the violence of ego in Georgie Iortema’s ‘Clipping the Wings’
anote
August 1
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Review
‘Moonbeam’: Revisiting the culture of anthology in Nigerian literature
anote
April 11
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Review
Teaching children to be responsible adults in Ameh’s ‘Mariamo and the Bowl of Cashews’ and ‘The Rise of the Phoenix’
anote
January 23
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Review
Awodiya’s ‘Lagos Is My Country’ as metaphor for dystopia
anote
October 20
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News
Obinna Udenwe completes northern book tour of ‘Years of Shame’ in Minna
anote
August 13
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News
How Uwem Akpan, Nana Sule’s reading animated Abuja literary landscape
anote
July 18
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Review
Udenwe’s ‘Years of Shame’: A celebration of Ukpa Ji-Ukpa-Nwa tradition, African spirituality
anote
July 17
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Review
Echoes of trauma, social consciousness in Elizabeth Akinsehinwa’s ‘In His Care’
anote
July 9
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Fiction
Basket of blood
anote
June 16
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Review
Mairo Mudi’s ‘The Second Wife’: A woman’s flower blooms only for so long
anote
March 19
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JRT partners AECID, Spanish Embassy to deliver 17th Jos Festival of Theatre 2026
By Editor THE Jos-based theatre organization, Jos Repertory Theatre, is collaborating with…
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: JRT partners AECID, Spanish Embassy to deliver 17th Jos Festival of Theatre 2026
Commonwealth Short Story Prize suspends 2027 edition over 2026 AI issues
By Editor THE Commonwealth Short Story Prize, one of two major short…
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: Commonwealth Short Story Prize suspends 2027 edition over 2026 AI issues
A man of character: How a fictional character inspired a legal luminary
By Nengi Ilagha CLINTON Ayabowei found a strong word of caution in…
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: A man of character: How a fictional character inspired a legal luminary
When poetry came alive: My NIPOCON 2026 experience
By Efe Bello I went to a poetry conference, and poetry walked…
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: When poetry came alive: My NIPOCON 2026 experience
Ori II: 30 Nigerian sculptors explore identity, memory, consciousness in 2nd biennial
By Editor ORI II, the second biennial of contemporary Nigerian sculpture, brings…
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: Ori II: 30 Nigerian sculptors explore identity, memory, consciousness in 2nd biennial
‘Medicine and Literature Without Borders’: Health and social justice in the writings of Wale Okediran
By Aanuoluwapo Rotimi MEDICINE and Literature Without Borders: Health and Social Justice…
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: ‘Medicine and Literature Without Borders’: Health and social justice in the writings of Wale Okediran
History and colonial impulse in Tares Oburumu’s ‘Flora’s Love Colony’
By Kehinde Folorunsho IT is an indisputable fact that African literature still…
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: History and colonial impulse in Tares Oburumu’s ‘Flora’s Love Colony’
Edward Irivwoje: A forgotten pioneer in the early story of modern Nigerian art education
By Mudiare Onobrakpeya THE history of modern Nigerian art is often told…
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: Edward Irivwoje: A forgotten pioneer in the early story of modern Nigerian art education
The outflow of Nigerian talent is a form of blood money, outsourced slavery, says Osundare
* ‘We must not run our universities the way politicians are running…
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: The outflow of Nigerian talent is a form of blood money, outsourced slavery, says Osundare
Voices behind the verses: 11 poets reflect on memory, identity and the power of poetry
By Godwin Okondo THE voices behind the 11 poetry collections longlisted for…
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: Voices behind the verses: 11 poets reflect on memory, identity and the power of poetry
CORA-NLNG Book Party: ‘Conversations are key to preserving Nigeria’s literary heritage’
By Godwin Okondo THE Committee for Relevant Art (CORA), in partnership with…
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: CORA-NLNG Book Party: ‘Conversations are key to preserving Nigeria’s literary heritage’
Poetry: Tribute to Grandpa
* for Prof. Ayo Bamgbose By Gbekeloluwa Yusuf IT is dusk Grandpa!The…
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: Poetry: Tribute to Grandpa
In defence of St Janet—and the freedom to create
By Babafemi Ojudu I listened to St Janet just as I listened…
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: In defence of St Janet—and the freedom to create
Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience
By Femi Morgan THE enduring relevance of Professor Wole Soyinka’s dramatic satire…
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: Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience