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August 6, 2026
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Kenneth
News
‘Esther’s Revenge’: WSICE 2026 opens with award-winning Nigerian play at The Africa Centre in London
anote
July 27
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Review
‘Brand or Bland’: Ebbi’s journey to making a great brand
anote
December 22
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News
Lagos Fringe Festival 2025 unveils Creative-Tech Workshops, explores future of art, AI, innovation
anote
November 18
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Odili Ujubuonu @60 says: I’m a conscript of the muse
anote
June 24
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News
Lagos Fringe Festival 2023 opens November 21 with exciting artistic programmes
anote
November 18
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Interview
Government must identify creative industry as next ‘oil’ and treat it as such, says Uphopho
idesign
June 29
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Review
‘Esther’s Revenge’: When a colonial scam artist meets his waterloo in crime of passion
idesign
January 7
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News
Olu Jacobs, Joke Silva and Ifeoma Fafunwa for honours as Lagos Fringe Festival turns 5
idesign
November 4
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Poetry: Tribute to Grandpa
* for Prof. Ayo Bamgbose By Gbekeloluwa Yusuf IT is dusk Grandpa!The…
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: Poetry: Tribute to Grandpa
In defence of St Janet—and the freedom to create
By Babafemi Ojudu I listened to St Janet just as I listened…
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: In defence of St Janet—and the freedom to create
Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience
By Femi Morgan THE enduring relevance of Professor Wole Soyinka’s dramatic satire…
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: Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience
Poetry: When Rain Burns
–for Oronto Natei Douglas By Majekodunmi Oseriemen Ebhohon PA Oronto,rain fallsyet why…
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: Poetry: When Rain Burns
Bukar Usman bows out, leaves Nigerian Folklore Society in good stead
By Anote Ajeluorou AFTER 14 years as the president of the Nigerian…
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: Bukar Usman bows out, leaves Nigerian Folklore Society in good stead
‘Children of Blood and Bone’: A reflection on cultural authorship, translation, reciprocity
By Qudus Onikeku WHEN the trailer for Children of Blood and Bone…
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: ‘Children of Blood and Bone’: A reflection on cultural authorship, translation, reciprocity
How has Black theatre’s response to white supremacy changed over 60 years?
By Precious Etop IN 1965, at the height of the Civil Rights…
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: How has Black theatre’s response to white supremacy changed over 60 years?
11 documentary filmmakers in USD$20,000 race for The Nigeria Prize for Creative Arts
By Editor NOMINEES for the first-ever The Nigeria Prize for Creative Arts…
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: 11 documentary filmmakers in USD$20,000 race for The Nigeria Prize for Creative Arts
Masculinity and the violence of ego in Georgie Iortema’s ‘Clipping the Wings’
By Paul Liam GEORGIE Iortema’s Clipping the Wings (Aboki Publishers, Makurdi; 2023)…
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: Masculinity and the violence of ego in Georgie Iortema’s ‘Clipping the Wings’
Grammar of wounds: Reading James Eze’s ‘Unbind Me Now’ as poetry of healing
By Jeff Iwu JAMES Eze’s steady evolution as a poet has been…
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: Grammar of wounds: Reading James Eze’s ‘Unbind Me Now’ as poetry of healing
The Nigeria Prize for Literature 2026… Meet the 11 poet laureates
By Editor TOMORROW, Sunday, 2 August 2026 at MUSON Centre, Onikan, Lagos…
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: The Nigeria Prize for Literature 2026… Meet the 11 poet laureates
‘The Witness Remains’: Creative protégés honour Tam Fiofori’s visionary legacy
By Godwin Okondo CREATIVE artists, photographers, filmmakers, and cultural advocates gathered online…
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: ‘The Witness Remains’: Creative protégés honour Tam Fiofori’s visionary legacy
Nigeria’s education crisis is no longer about enrolment, it’s about system capacity
By Editor NIGERIA’S greatest education challenge is no longer getting children into…
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: Nigeria’s education crisis is no longer about enrolment, it’s about system capacity
AFRIMA partners Lesotho Music Awards to advance country’s creative industry
By Godwin Okondo THE All Africa Music Awards (AFRIMA) and Lesotho Music…
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: AFRIMA partners Lesotho Music Awards to advance country’s creative industry
