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August 7, 2026
Home
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News
Newton Jibunoh International Convention Centre opens at Nelson Mandela Gardens and Resorts, Asaba
anote
June 16
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News
Athena Centre’s Athena-Anchoria Junior Fellowship programme begins
anote
April 27
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Experts at Athena Centre–US Embassy Workshop say Nigeria set to lead in AI
anote
March 1
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Review
Olorunmola’s deepens exploration of unconventional performance spaces with Fattah’s ‘Before I Let You Go’
anote
January 4
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News
CPI marks silver jubilee with launch of ‘Energy Insight Nigeria’
anote
October 23
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Indigenous Art Festival ’25 to celebrate Asaba as UNESCO Creative City with youth-driven cultural showcase
anote
July 6
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News
Mark Nwagwu @88: Celebrating a life of science, poetry, purpose
anote
May 23
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Archives and Memories exhibition honours the legacy of Bisi Silva at CCA, Lagos
anote
February 12
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News
Nigeria International Book Fair 2025 settles for Balmoral Convention Centre, Ikeja, Lagos
anote
January 6
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Colloquium
Is Unoka the unsung hero of ‘Things Fall Apart?’
anote
July 5
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The outflow of Nigerian talent is a form of blood money, outsourced slavery, says Osundare
* ‘We must not run our universities the way politicians are running…
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: The outflow of Nigerian talent is a form of blood money, outsourced slavery, says Osundare
Voices behind the verses: 11 poets reflect on memory, identity and the power of poetry
By Godwin Okondo THE voices behind the 11 poetry collections longlisted for…
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: Voices behind the verses: 11 poets reflect on memory, identity and the power of poetry
CORA-NLNG Book Party: ‘Conversations are key to preserving Nigeria’s literary heritage’
By Godwin Okondo THE Committee for Relevant Art (CORA), in partnership with…
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: CORA-NLNG Book Party: ‘Conversations are key to preserving Nigeria’s literary heritage’
Poetry: Tribute to Grandpa
* for Prof. Ayo Bamgbose By Gbekeloluwa Yusuf IT is dusk Grandpa!The…
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: Poetry: Tribute to Grandpa
In defence of St Janet—and the freedom to create
By Babafemi Ojudu I listened to St Janet just as I listened…
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: In defence of St Janet—and the freedom to create
Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience
By Femi Morgan THE enduring relevance of Professor Wole Soyinka’s dramatic satire…
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: Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience
Poetry: When Rain Burns
–for Oronto Natei Douglas By Majekodunmi Oseriemen Ebhohon PA Oronto,rain fallsyet why…
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: Poetry: When Rain Burns
Bukar Usman bows out, leaves Nigerian Folklore Society in good stead
By Anote Ajeluorou AFTER 14 years as the president of the Nigerian…
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: Bukar Usman bows out, leaves Nigerian Folklore Society in good stead
‘Children of Blood and Bone’: A reflection on cultural authorship, translation, reciprocity
By Qudus Onikeku WHEN the trailer for Children of Blood and Bone…
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: ‘Children of Blood and Bone’: A reflection on cultural authorship, translation, reciprocity
How has Black theatre’s response to white supremacy changed over 60 years?
By Precious Etop IN 1965, at the height of the Civil Rights…
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: How has Black theatre’s response to white supremacy changed over 60 years?
11 documentary filmmakers in USD$20,000 race for The Nigeria Prize for Creative Arts
By Editor NOMINEES for the first-ever The Nigeria Prize for Creative Arts…
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: 11 documentary filmmakers in USD$20,000 race for The Nigeria Prize for Creative Arts
Masculinity and the violence of ego in Georgie Iortema’s ‘Clipping the Wings’
By Paul Liam GEORGIE Iortema’s Clipping the Wings (Aboki Publishers, Makurdi; 2023)…
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: Masculinity and the violence of ego in Georgie Iortema’s ‘Clipping the Wings’
Grammar of wounds: Reading James Eze’s ‘Unbind Me Now’ as poetry of healing
By Jeff Iwu JAMES Eze’s steady evolution as a poet has been…
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: Grammar of wounds: Reading James Eze’s ‘Unbind Me Now’ as poetry of healing
The Nigeria Prize for Literature 2026… Meet the 11 poet laureates
By Editor TOMORROW, Sunday, 2 August 2026 at MUSON Centre, Onikan, Lagos…
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: The Nigeria Prize for Literature 2026… Meet the 11 poet laureates
