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August 6, 2026
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Babatunde
Colloquium
‘We need ‘Artistic Intelligence’ tools, too’
anote
November 14
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Tourism
When Zangbeto, Sato drums rumbled in Ajido, Badagry for Babatunde Olatunji in maiden feast
anote
May 27
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News
Ajido, Badagry set to celebrate culture icon, Babatunde Olatunji May 24
anote
May 8
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Review
A critical review of Aderinto’s docu-film, ‘Iṣilọ – A Settlement Story’
anote
March 6
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Interview
‘Trans-Atlantic Slave Trade more horrendous than Nazi Germany Holocaust, yet not memorialised in Africa’
idesign
April 11
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Voices behind the verses: 11 poets reflect on memory, identity and the power of poetry
By Godwin Okondo THE voices behind the 11 poetry collections longlisted for…
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: Voices behind the verses: 11 poets reflect on memory, identity and the power of poetry
CORA-NLNG Book Party: ‘Conversations are key to preserving Nigeria’s literary heritage’
By Godwin Okondo THE Committee for Relevant Art (CORA), in partnership with…
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: CORA-NLNG Book Party: ‘Conversations are key to preserving Nigeria’s literary heritage’
Poetry: Tribute to Grandpa
* for Prof. Ayo Bamgbose By Gbekeloluwa Yusuf IT is dusk Grandpa!The…
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: Poetry: Tribute to Grandpa
In defence of St Janet—and the freedom to create
By Babafemi Ojudu I listened to St Janet just as I listened…
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: In defence of St Janet—and the freedom to create
Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience
By Femi Morgan THE enduring relevance of Professor Wole Soyinka’s dramatic satire…
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: Odubanwo’s ‘Return of Jero’ reimagines Soyinka’s classic for a new generation audience
Poetry: When Rain Burns
–for Oronto Natei Douglas By Majekodunmi Oseriemen Ebhohon PA Oronto,rain fallsyet why…
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: Poetry: When Rain Burns
Bukar Usman bows out, leaves Nigerian Folklore Society in good stead
By Anote Ajeluorou AFTER 14 years as the president of the Nigerian…
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: Bukar Usman bows out, leaves Nigerian Folklore Society in good stead
‘Children of Blood and Bone’: A reflection on cultural authorship, translation, reciprocity
By Qudus Onikeku WHEN the trailer for Children of Blood and Bone…
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: ‘Children of Blood and Bone’: A reflection on cultural authorship, translation, reciprocity
How has Black theatre’s response to white supremacy changed over 60 years?
By Precious Etop IN 1965, at the height of the Civil Rights…
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: How has Black theatre’s response to white supremacy changed over 60 years?
11 documentary filmmakers in USD$20,000 race for The Nigeria Prize for Creative Arts
By Editor NOMINEES for the first-ever The Nigeria Prize for Creative Arts…
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: 11 documentary filmmakers in USD$20,000 race for The Nigeria Prize for Creative Arts
Masculinity and the violence of ego in Georgie Iortema’s ‘Clipping the Wings’
By Paul Liam GEORGIE Iortema’s Clipping the Wings (Aboki Publishers, Makurdi; 2023)…
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: Masculinity and the violence of ego in Georgie Iortema’s ‘Clipping the Wings’
Grammar of wounds: Reading James Eze’s ‘Unbind Me Now’ as poetry of healing
By Jeff Iwu JAMES Eze’s steady evolution as a poet has been…
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: Grammar of wounds: Reading James Eze’s ‘Unbind Me Now’ as poetry of healing
The Nigeria Prize for Literature 2026… Meet the 11 poet laureates
By Editor TOMORROW, Sunday, 2 August 2026 at MUSON Centre, Onikan, Lagos…
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: The Nigeria Prize for Literature 2026… Meet the 11 poet laureates
‘The Witness Remains’: Creative protégés honour Tam Fiofori’s visionary legacy
By Godwin Okondo CREATIVE artists, photographers, filmmakers, and cultural advocates gathered online…
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: ‘The Witness Remains’: Creative protégés honour Tam Fiofori’s visionary legacy
