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September 18, 2026
Home
About Us
News
Interview
More
Review
Tourism
Colloquium
Fiction
Arts Calendar
Fashion
Tribute
Author:
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Review
Ojomu’s ‘The Ojuelegba Crossroads’: Chronicling a nation, continent on the brink
anote
September 22
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Annoucement
US literacy chief is keynote speaker for NBRP’s 3rd national book club, reading confab/AGM
anote
September 22
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Review
From Dokubo Goodhead, it’s good ‘Mourning’ America
anote
September 20
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Review
‘Funmilayo Ransome-Kuti’: Austen-Peters’ biopic, of feminine resilience, cinematic triumph
anote
September 20
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Colloquium
‘Magic in Blood’: Celebrating James Ene Henshaw’s 90th in Uyo
anote
September 18
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Review
A call for action: How a family’s betrayal by political rascality mirrors a nation’s dilemma in Gomba’s ‘Grit’
anote
September 17
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Annoucement
Award categories unveiled as Nigeria’s gospel artistes set to celebrate excellence November 19
anote
September 15
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Annoucement
‘No Limits’ as Beeta Playwright Competition 2023 call for entries ends September 30
anote
September 15
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Review
Notes from the closet in ‘Wedged Between Man and God: Queer West African Women’s Stories’
anote
September 15
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Review
Akubuiro’s ‘Yamtarawala – The Warrior King’: Chasing a kingdom in dramatic historicisation
anote
September 14
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Olu Jacobs: Nigeria’s creative community pays tribute as Nollywood star takes a bow
By Godwin Okondo THE curtain has fallen on one of Africa’s most…
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: Olu Jacobs: Nigeria’s creative community pays tribute as Nollywood star takes a bow
In defence of Chimamanda Adichie leaving Nigeria
By Majekodunmi Oseriemen Ebhohon CHIMAMANDA Ngozi Adichie is entirely correct. Following the…
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: In defence of Chimamanda Adichie leaving Nigeria
Olu Jacobs: The curtain falls on the ‘Lion of Lufodo’
By Godwin Okondo THE curtain has fallen on one of Africa’s most…
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: Olu Jacobs: The curtain falls on the ‘Lion of Lufodo’
Fire as witness, Fire as reckoning:A critical review of Clement Odia’s ‘Feast of Fire’
By Gegeri Dike-Gegeri THERE are books of poetry that invite the reader…
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: Fire as witness, Fire as reckoning:A critical review of Clement Odia’s ‘Feast of Fire’
Bukar Usman’s ‘A Shared Identity’ affirms Bura cultural, linguistic heritage
By Anote Ajeluorou VERY often and with the onslaught of globalisation and…
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: Bukar Usman’s ‘A Shared Identity’ affirms Bura cultural, linguistic heritage
Poetry: Before You Die
By Majekodunmi Oseriemen Ebhohon BEFORE you die,taste the mango with both hands…
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: Poetry: Before You Die
When NIGMA revved up Christian entertainment in Lagos
By Editor MUSON Centre in Onikan, Lagos, buzzed with an electric energy…
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: When NIGMA revved up Christian entertainment in Lagos
Lagos International Festival of Illustration returns for second edition
By Editor LAGOS International Festival of Illustration (LIFI) returns for its second…
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: Lagos International Festival of Illustration returns for second edition
CORA to lead conversation on the ‘Power of Story’ at 2026 Lagos Comic Con, September 12
By Editor THE Committee for Relevant Art (CORA) will participate in the…
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: CORA to lead conversation on the ‘Power of Story’ at 2026 Lagos Comic Con, September 12
Folklore as cultural memory and resistance in James Eze’s ‘Unbind Me Now’
By Deborah Chinonyerem Uzoma WHEN histories become absurd to the people, ancestral…
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: Folklore as cultural memory and resistance in James Eze’s ‘Unbind Me Now’
Rotting So Beautifully
By Majekodunmi Oseriemen Ebhohon LOOK how beautifully it falls,without a single argument,dropping…
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: Rotting So Beautifully
Film Africa Network: Building the connections African cinema needs
By Osezua Steve-Imobhio THE creation of the Film Africa Network (FAN) by…
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: Film Africa Network: Building the connections African cinema needs
Umaisha gets special recognition award at Fortham exhibition
By Celina Chinwemmeri Ikechukwu NIGERIAN writer, literary journalist and editor, Sumaila Isah…
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: Umaisha gets special recognition award at Fortham exhibition
‘Japa No Easy’: Obadina’s poetry as unvarnished truth
By Femi Morgan ONE of the concerns of contemporary literature from Nigeria…
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: ‘Japa No Easy’: Obadina’s poetry as unvarnished truth
