Flora Nwapa’s ‘Efuru’: When a timeless tale of strength, resilience lit up Owerri stage
Review

Flora Nwapa’s ‘Efuru’: When a timeless tale of strength, resilience lit up Owerri stage

anote
August 2
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‘Grit’: Obari Gomba’s political drama
Review

‘Grit’: Obari Gomba’s political drama

anote
July 30
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‘Gwo gwo gwo ngwo’ The people as fools, victims? (I)
Review

‘Gwo gwo gwo ngwo’ The people as fools, victims? (I)

anote
July 28
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Pleasant poetic prose in Bayo Adebowale’s ‘Up from the Countryside’
Review

Pleasant poetic prose in Bayo Adebowale’s ‘Up from the Countryside’

anote
July 21
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James Henshaw’s enrapturing dynamism in ‘The Re-Education of Gina Obi’
Review

James Henshaw’s enrapturing dynamism in ‘The Re-Education of Gina Obi’

anote
July 8
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Al-Bishak’s ‘Black Papyrus’: Groundbreaking exploration of the birthplace of writing
Review

Al-Bishak’s ‘Black Papyrus’: Groundbreaking exploration of the birthplace of writing

anote
June 28
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A few critical lessons from Anietie Usen’s ‘And It Came to Pass’
Review

A few critical lessons from Anietie Usen’s ‘And It Came to Pass’

anote
June 25
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Why ‘Grit’ is worth the prize by every standard
Review

Why ‘Grit’ is worth the prize by every standard

anote
June 21
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Mabel Evwierhoma’s ‘The Cut Across’: Echoes of female genital mutilation, cultural oppression against women
Review

Mabel Evwierhoma’s ‘The Cut Across’: Echoes of female genital mutilation, cultural oppression against women

anote
June 20
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Mabel Evwierhoma’s ‘The Cut Across’ gets Command performance at Federal University, Lokoja
Review

Mabel Evwierhoma’s ‘The Cut Across’ gets Command performance at Federal University, Lokoja

anote
June 17
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